THE curlew, and its cur-lee song prompted action. As soon as I got to my desk I went to the Northern Upland Chain Local Nature Partnership (NUCLNP) website to find our interactive map. Here people are recording where they have heard their first curlew of the year.

I selected the date, March 3, dropped the cursor over our Grassington office, and clicked to mark the spot.

In doing so, I observed the increased peppering of sightings being recorded by others. I spent a minute pondering the identity of the people creating this mosaic of curlew encounters.

The curlew overwinters on the milder coastal fringes and announces its arrival in the uplands from mid-February, faithfully declaring its territory in the same field or patch of moorland as previous years, and seeking out its lifelong partner to breed, nest and hopefully fledge its young.

There is a sense of urgency in what I do as I prepare an update on the NUCLNP’s year-old ‘Curlew Conservation Project’, which is aiming to maintain this iconic bird across a vast northern upland landscape.

The project area encompasses the Northumberland National Park, North Pennines Area of Outstanding Natural Beauty (AONB), Nidderdale AONB, Yorkshire Dales National Park and the southern tip of the Forest of Bowland AONB in Lancashire, some 2,560 square miles in total.

The NUCLNP was formed in 2012 by the national park authorities and AONBs which administer this contiguous group of protected landscapes along with associated conservation bodies, landowners, farmers and community groups.

But why the urgency?

Well, the good news is that the UK is the third most important country in the world for breeding curlews, hosting nearly 25 per cent of the global population. Whilst this is encouraging, it’s certainly not the whole picture, as between 1995 and 2012, the breeding populations declined by 61 per cent in Scotland and 30 per cent in England.

In 2008, curlews were deemed of global conservation concern and became listed as ‘near threatened’ on the IUCN red list.

The decline in curlew numbers is primarily down to intensification of farming methods, predation and forestry encroachment onto breeding sites. But many farmers, foresters and land managers are already working to reverse the decline.

It must be emphasised that in the northern Pennines, curlew populations are holding up. The project area described above accounts for 4.9 per cent of the area of England and Wales, yet hosts 49 per cent of these nations’ breeding population of curlew.

The Curlew Conservation Project aspires to increase our understanding of the curlew. In a sense it is as much about cultural heritage as it is about species conservation.

Assuming we can attract the funds needed to facilitate action on the ground, the project will allow us to work with land managers to monitor, colour-ring and even GPS-tag curlews.

Importantly, what we discover about the curlew will also benefit other breeding waders. We are using the curlew as a ‘flagship species’ to highlight the plight of other ground-nesting birds that are just as threatened.

In the Yorkshire Dales, for instance, the decline in redshank is very striking; it appears to be more threatened here than the curlew. Yet the way that habitat can be managed to benefit curlews is, broadly speaking, similar to the way we need to look after land for redshank, lapwing and snipe.

I’m so blessed to have met such a wonderfully passionate mix of farmers and landowners who are already actively engaged with breeding wader conservation initiatives. We will aim to build on and add to this knowledge base through a new team of wader specialists.

The curlew is an integral part of our cultural heritage. These birds can inspire people of all ages.

I know this because I was inspired by them as a child, and continue to be as I mature in age.

The curlew’s Latin name Numenius arquata means ‘new moon’ and ‘bow-shaped’, referring to its crescent-shaped bill. The birds and their haunting calls have inspired poets such as Robert Burns and many artists.


Curlew by Paul Skirrow

We want to stimulate a fresh narrative which can engage with people in upland and coastal communities alike, one with the potential to reinvigorate the creative spirit which dwells in every one of us.